The theme of contending with one's legacy is a central part of Stark's story (and of all the Avengers' stories) later in the series, while Stark's views on his mortality eventually come to the fore. Iron Man 2, perhaps inadvertently, plants seeds for ideas that would eventually be explored. And yet, it succeeds in one very key area that stops it from being a complete disaster. It's the nothing-est of the handful of nothing Marvel films.
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"Bigger Iron Man" just happens to have whips now. Iron Man ends up fighting "bigger Iron Man" once more, but unlike Iron Monger in the first film, this bastardization of Stark's tech represents nothing for the characters and what they believe. Remove all of Ivan Vanko's dialogue from the film, in which he talks about Stark's murderous legacy, and the story remains the same. In Iron Man 2, his innovations are either in service of actions scenes that feel cut short, or in service of continuing Howard Stark's work without contending with either of his hidden natures - as a loving father or as a mass murderer. Tony Stark being an innovator was central to Iron Man, in which he began using his tech in new ways after his change of heart. Instead, all we truly learn about Howard Stark is that he helped found S.H.I.E.L.D., an organization whose sole purpose in this film is connecting it to the rest of the series. Howard having deported Anton Vanko plays even more villainously in 2019, and his involvement in creating the Atom Bomb doesn't even come up as it did before. These countries aren't framed as real threats, despite their militaries being supplied by the same weapons manufacturer as America. At the hearing, not only are we introduced to private weapons manufacturer Justin Hammer (Sam Rockwell), we're also given glimpses into the comically ineffectual - though most certainly active - military R&D of nations like Iran and North Korea, whose own Iron Man projects are being developed by Hammer. The suit and I are one."), much of it is spent re-establishing the specifics of this so-called world at peace, a global armistice brought about by one man. While the committee hearing establishes Stark's relationship to his creation ("I am Iron Man. Either way, Iron Man 2 feels like two separate films at first - and by the end, for that matter. Actually, it's hard to be certain of which incident has more impact on the plot, given that one is exposition with no story momentum, and the other is an action scene divorced from character. Well, no, it's actually set into motion when Ivan Vanko (Mickey Rourke), the son of Anton Vanko, a man wronged by Stark's father, crashes Stark's reckless Grand Prix stint. government subpoenas Tony Stark to appear in front of an arms committee. Iron Man 2 is set into motion when the U.S. Like Iron Man before it, the film's military funding doesn't just result in a wrongheaded political outlook, but in a confused character-story, thrown further off balance by the need to juggle popcorn entertainment, sequel setups and a world where, once again, private industry and hostile foreign forces bear all the responsibility of war. But more pertinently, it's emblematic of why the early Marvel movies had such a muddled approach to politics. as key fixtures of popular culture.Įven as a feat of world-building, Iron Man 2 does little to expand on previous films. However, it helped further cement Tony Stark and Robert Downey Jr. Truth be told, it doesn't have enough by way of narrative risks to be a memorable failure either.
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The descriptor feels apt, since the film features neither the novel spark of its predecessor, nor the emotional highs of Marvel's future installments. Iron Man 2 is "fine," in the most middle-of-the-road, passive-watch sense. (Welcome to Road to Endgame, where we revisit all 22 movies of the Marvel Cinematic Universe and ask, "How did we get here?" In this edition: Marvel drops the ball with Iron Man 2.